„Surface as Field“ understands painting not as a closed surface, but as an operative terrain—as a place where material, gesture, and structure enter into an open relationship. The surface does not work as a boundary, but as a space for action in which densification, blank spaces, and structures interact with one another
The „quiet logic of deviation“ forms a common point of reference for two artistic positions in which structure appears not as a conclusion but as an ongoing process. The works of Fiene Scharp and Paul Heimbach encounter two independent ways of thinking and working that understand order not as a goal but as a prerequisite — as a system that only becomes visible through minimal deviations, interruptions, and shifts.
The exhibition material as language addresses these questions through the medium of the artist’s book, presenting works in which material itself becomes a bearer of meaning.
Jutta Haeckel takes a comprehensive approach to the medium of painting, exploring it from all angles and dimensions. From the preparation of the canvas to the completion of the work, she subjects her paintings to a complex and multi-layered creative process that results in visually challenging compositions
Ben Patterson is considered one of the most important protagonists of Fluxus and Black performance art. His works often reflect his personal experiences of marginalization and discrimination, addressing issues such as social inequality, racism and politics. Inspired by the obstacles he faced, Patterson used his creative expression to challenge societal norms and spark critical conversations about pressing social issues. Best known for his performance work, Patterson expanded his practice to include works on paper, assemblage, installation, video and sculpture.
With its exhibition series “99 drawings”, boa-basedonart aims to focus on this essential form of expression and shows a broad spectrum of works by various artists.
The exhibition entitled “Better Call …” combines Tippel’s and Brembeck’s intelligent observations of everyday life.
The artistic work of 95-year-old Takako Saito is imbued with the idea of playfulness. Playing, chance and the participation of the viewer are also part of the principles of the Fluxus movement, which Takako Saito joined in New York in the 1960s. Today, she is one of the few living Fluxus protagonists. Saito has developed a unique artistic language in which she creates a space for herself, her viewers, and fellow players where age, gender, cultural differences, and language barriers do not play a role.
Friedl Kubelka vom Gröller, Jürgen Klauke, Christa Mayer, Helmut Schweizer, Nil Yalter, Lin Zhipeng (林志鹏) aka No.223
The exhibition titled selbst focuses on self-portraits as a medium for self-empowerment and liberation from social norms and limitations. In their works, the participating artists reflect on themes such as identity, sexuality, and society.
Jutta Haeckel’s complex, visually challenging paintings also seem to grow, to be alive, they prosper in the eye of the observer as well as during the process of their creation. Like all living things, they are subject to constant change and so the reception of her works becomes a transformative process that offers the viewer a unique cognitive experience.
